He Is The One Who Robbed Me Of My Honor
Aug. 25th, 2009 01:04 amWhat can I say about Don Giovanni? It's basically a romantic comedy about a wealthy Italian playboy trying to make new sexual conquests while his bitter ex-lovers and their significant others try to foil him...and it ends with the lead character getting sucked into the bowels of hell. So more than a little absurdist (and Mozart laid the sexual morals on with a trowel).
From a technical standpoint it's obviously a masterpiece. For such a long opera (it ran from 8.00-11.15, which even with a 25 minute intermission is pretty damn long), it's extremely fast-paced: he managed to cram in a murder, a wedding, a masquerade ball, a balcony serenade, a mad chase in the dark, a visit by a ghost, and the previously mentioned character getting dragged into hell, along with 4 or 5 seductions or attempted seductions. It's full of an incredible amount of energy, and the music is wonderfully complex - every couple gets a duet, most of the characters get a solo aria, and there are a number of bits that are sung between 3 or more singers. It's very exciting to watch.
Although no one stood out as much as last week's singers, it was still very well performed, especially on the part of the men. Don Giovanni was of course great, and his singer had an excellent mastery of this sort of swaggering, leering, insistent debauchery where you could see he was desperate to prove he was having more fun than anyone else at the party (which is always a bit sad to watch). And the girl who sung Zerlina was the understudy from the apprentice program (the singer was sick or hurt or something, idk) and she did excellently.
I liked La Traviata better on purely subjective grounds. This was still pretty much awesome.
From a technical standpoint it's obviously a masterpiece. For such a long opera (it ran from 8.00-11.15, which even with a 25 minute intermission is pretty damn long), it's extremely fast-paced: he managed to cram in a murder, a wedding, a masquerade ball, a balcony serenade, a mad chase in the dark, a visit by a ghost, and the previously mentioned character getting dragged into hell, along with 4 or 5 seductions or attempted seductions. It's full of an incredible amount of energy, and the music is wonderfully complex - every couple gets a duet, most of the characters get a solo aria, and there are a number of bits that are sung between 3 or more singers. It's very exciting to watch.
Although no one stood out as much as last week's singers, it was still very well performed, especially on the part of the men. Don Giovanni was of course great, and his singer had an excellent mastery of this sort of swaggering, leering, insistent debauchery where you could see he was desperate to prove he was having more fun than anyone else at the party (which is always a bit sad to watch). And the girl who sung Zerlina was the understudy from the apprentice program (the singer was sick or hurt or something, idk) and she did excellently.
I liked La Traviata better on purely subjective grounds. This was still pretty much awesome.